Tutorial Project we will be using with this book. They include, How to create. Chapter 3 , Video Editing Concepts and Application , discusses the history of film making and. We look at the multi-camera tool which will be used in our tutorial, plus essential functions for editing, such as panning and cropping and slow and fast motion video.

Chapter 4 , Essential Editing Tools , discusses the tools and their workflows as well as gives some insight into the software’s 3D editing capabilities. Chapter 5 , Eye Catching Titles, Text, and Effects , discusses the tools that go a long way in helping the reader bring their video editing workflows into the professional league. Chapter 6 , Color Correction Techniques , shows the reader how to use the all important color correction tools to their best advantage.

Chapter 7, Look, I Made it Move!! Chapter 8, The Importance of Audio , discusses the importance of audio for vision and the. Chapter 9, Soundtrack of our Lives: Audio for Video, discusses creating great audio including. Chapter 10, Can I put this on YouTube? To successfully use this book, the most current version of Sony Vegas Pro 11 is needed and installed onto your video editing computer system.

Although there may be a few small interface differences, this book will also be useful for users of the latest version of Sony Vegas Pro You will also need to download the video and audio files for the project that you will be working on during the tutorials in this book.

In this book you will find a number of styles of text that distinguish between different kinds of information. Here are some examples of these styles, and an explanation of their meaning. Preface New terms and important words are shown in bold.

Words that you see on the screen, in. Warnings or important notes appear in a box like this. Although not essential, I would highly recommend having a second hard drive to store and edit your video project’s media. This drive should also be at least a RPM drive as this will free up the system drive and be less taxing on the overall system.

Feedback from our readers is always welcome. Let us know what you think about this book—what you liked or may have disliked. Reader feedback is important for us to develop titles that you really get the most out of. To send us general feedback, simply send an e-mail to mention the book title through the subject of your message.

If there is a topic that you have expertise in and you are interested in either writing or. Now that you are the proud owner of a Packt book, we have a number of things to help you to get the most from your purchase.

You can download the example code files for all Packt books you have purchased from your account at. If you purchased this book elsewhere, you can. Although we have taken every care to ensure the accuracy of our content, mistakes do happen.

If you find a mistake in one of our books—maybe a mistake in the text or the code—we would be grateful if you would report this to us. By doing so, you can save other readers from frustration and help us improve subsequent versions of this book.

If you. Once your errata are verified, your submission will be accepted and the errata will be uploaded to our website, or added to any list of existing errata, under the Errata section of that title.

Piracy of copyright material on the Internet is an ongoing problem across all media. At Packt, we take the protection of our copyright and licenses very seriously. If you come across any illegal copies of our works, in any form, on the Internet, please provide us with the location address or website name immediately so that we can pursue a remedy.

Please contact us at copyright packtpub. We appreciate your help in protecting our authors, and our ability to bring you valuable content. Every piece of software we utilize in our creative world seems to become one of our best friends, especially if it is our main go-to application for a specific task.

We communicate with it every day and sometimes spend many hours interfacing with it. So the day comes when that software and you decide to take the relationship to a new level and it moves in with you, and takes up permanent residence on your PC.

Just like a new housemate, we want to make. A video editor’s computer system will vary from user to user. With this in mind, Sony has made the Vegas Pro 11 software to be quite forgiving of any inefficiency that your system may have.

So to ensure a happy first project, please ensure you have installed the latest version and build of Vegas Pro You can check if you have the latest version by selecting.

Help Sony on the Web Latest Updates from the menu bar. Included on your installation disks or bundled with your downloaded installation file from Sony Creative Software Inc. In order to use this book and the downloaded project, your system must satisfy those requirements. Please refer to your Sony Vegas Pro 11 user manual for more details on this topic. If you purchased Vegas Pro 11 online you can download the manual from.

Also technical support, reference information, program updates, tips and tricks, a user’s forum, and a knowledge base are available from. Vegas Pro 11 also comes with two varieties of help available to you. The contractual period of Movie Studio will be automatically extended by one month at a time until you cancel the agreement You will be informed well in advance if the extension rate or taxes included change.

A cancellation is possible up to 1 day before the end of the contract period. Subscription and cancellation conditions: Movie Studio Platinum will be available immediately after payment and activation. The contractual period of Movie Studio Platinum will be automatically extended by 12 months at a time until you cancel the agreement.

The contractual period of Movie Studio Platinum will be automatically extended by one month at a time until you cancel the agreement You will be informed well in advance if the extension rate or taxes included change. Here you can upgrade to the latest version for a special price. Have your account registration information or the serial number for your software ready. Subscription and cancellation conditions: Movie Studio Suite will be available immediately after payment and activation.

The contractual period of Movie Studio Suite will be automatically extended by 12 months at a time until you cancel the agreement. B Close. Edit videos Your trip was full of exciting experiences — now it’s time to turn all those videos into a movie.

Present your films Share your experiences with your friends, family and the whole world! Import media. Edit videos. Present your films. Mayra Joann. Video editing — always intuitive and user-friendly.

Flexible program interface Use the detailed timeline for frame-by-frame video editing or Storyboard mode for greater clarity. Diverse editing tools With practical tools like “Split”, “Remove beginning” or “Split movie” you have the ability to choose the exact workflow that suits you best. Editing wizards Wizards offer help for the entire workflow, from media transfer to burning a finished film to DVD.

Editing and movie templates exclusively in Platinum Suite Watch video. Multicam editing The ideal solution for events where several cameras are filming simultaneously: In multicam code, you can simply click the camera to define which recording should display and when — Movie Studio makes automatic cuts as you work.

Exclusively in Platinum Suite Watch video. Image Stabilization. Color correction. Import tracking data directly from Boris FX Mocha. Track and obscure faces, licence plates and unwanted objects. Record, edit and mix camera audio with foley and natural sound. Automate audio mixes with full control over volume, panning, bussing, audio effects and more. Create original sound effects and mix with stock sounds. Smooth previews and fast rendering with GPU acceleration.

Smooth slow motion. Compositing modes. Subtitle support. Video stabilization. Mesh warp. Warp flow. Film effects. We appreciate your help in protecting our authors, and our ability to bring you valuable content. Questions You can contact us at [email protected] if you are having a problem with any aspect of the book, and we will do our best to address it. We communicate with it every day and sometimes spend many hours interfacing with it. So the day comes when that software and you decide to take the relationship to a new level and it moves in with you, and takes up permanent residence on your PC.

Just like a new housemate, we want to make sure it has all of the modern conveniences and space it needs to give you both a carefree coexistence. With this in mind, Sony has made the Vegas Pro 11 software to be quite forgiving of any inefficiency that your system may have.

So to ensure a happy first project, please ensure you have installed the latest version and build of Vegas Pro You can check if you have the latest version by selecting Help Sony on the Web Latest Updates from the menu bar.

System requirements Included on your installation disks or bundled with your downloaded installation file from Sony Creative Software Inc. In order to use this book and the downloaded project, your system must satisfy those requirements. Please refer to your Sony Vegas Pro 11 user manual for more details on this topic.

Getting help Vegas Pro 11 also comes with two varieties of help available to you. You can also access more help and information via the Sony Creative Software Inc website by choosing Sony on the Web from the Help menu. Tip: Please note that your computer must be connected to the Internet for the Sony on the Web function to operate.

Interactive Tutorials You can also learn more about the many features in Vegas Pro 11 by accessing the interactive tutorials installed with the software. The tutorials will be displayed once you start the software, but you can also access them from the Help menu listed as Interactive Tutorials. Tip: The automatic display of tutorials can be turned off by un-checking the Show at Start-up box at the bottom of the tutorial window.

Getting to know the windows: Exploring the Vegas Pro 11 interface Communication is the key to any relationship, and the same applies with your newly-installed software. Knowing how and where to access the right tools while editing is crucial, and will allow you to easily interact with Vegas Pro The Graphical User Interface or GUI in Vegas Pro 11 is fairly complex, with many windows that contain all of the important tools for editing your video.

Here we will overview each of these user interface elements to get you more acquainted with the windows of Vegas Pro 11, before we plunge into their uses in our Beginner’s Guide Project. Extending to the right into the Timeline, the tracks allow you to arrange your audio, video, Still Images, Backgrounds, and Text. All of the settings for the tracks can be found here including volume and panning, Video Compositing Level, applying temporary Solo and Muting to both video and audio, apply Track motion, changing the Recording Mode, or changing the Track Height.

If you hover your mouse over any of the buttons and icons, its name will appear for you: [8] www. Horizontally reading from left to right, the timeline represents time. Think of a film strip or unraveled audio tape laid out on the timeline where you can see what you are editing. Vertically the timeline shows Tracks.

Tracks are where you place your audio or video files and are known as Events. The timeline allows you to precisely control the length and time placements of your events: [9] www. Clicking the play button will allow you to watch your video update in the Video Preview window. As with most tools in Vegas, there are multiple ways to utilize them.

The Play and Stop buttons can also be accessed by pressing the Space bar to alternate between the play and stop functions of your video: [ 10 ] www. For example, the following screenshot indicates the cursor is sitting on the 12th second of the timeline and on the 19th frame of that second.

If the Project Settings were set to a PAL Video, that would be the 19th Frame out of the 25 frames allocated for that second: [ 11 ] www. Here, you can quickly browse your entire computer and connected hard drives and network places for audio, video, and still images for your project.

You can click-and-drag the files from the Explorer window into the timeline to make them available for use in your project. Once a file is dragged into the timeline, it automatically becomes available in the Project Media window: [ 12 ] www. XDCAM files can be efficiently handled by this window so you can select and preview the files before dropping them onto the timeline for editing: [ 13 ] www. The Project Media window shows you all of the media being currently used in your project.

Media consists of audio, video, still images, backdrops, and text. You can also add media to your project by using the appropriate icon buttons which can be found across the top of the Project Media window. Hover your mouse over the icons to reveal their function. The Trimmer window is another useful editing tool at your disposal. In the trimmer, a portion of a media clip can be selected or trimmed and inserted into your project. You also have the ability to create subclips in the Trimmer window.

A subclip allows you to leave the original media fully intact while creating a new shorter clip extracted from the original: [ 15 ] www. The Mixer window in Vegas Pro 11 is a very powerful audio tool that allows for complete Final Mixing and Processing of your project’s audio and soundtrack: [ 16 ] www. It contains many of the same features as the Track Header, but is laid out in a recognizable and expected Audio Console format.

This preview generally displays the video output from your selected point on the timeline. The smoothness, quality, and clarity of the preview window depends greatly on the fine balance between the processing power available from your CPU and video card, the number and type of FX plugins you have on your media, and the preview quality setting you have chosen. One of the big pluses of Vegas Pro 11 is that it will now utilize the GPU processor on your video card as long as your video card supports the OpenCL architecture.

Transitions are used to smoothly connect one media clip to another. Transitions sometimes can represent things such as time passing, travelling from interior to exterior, or from one scene to another.

They are itemized by category in the left column with an animated representation of how the transition works on the right. The transitions can be quickly applied to two overlapping media clips by clicking-and-dragging the transition into the cross-faded media clips to add or change the transition: [ 19 ] www. Like the Transitions window, the selection of Video FX that can be applied to your video clips are itemized into categories on the left with an appropriate animation on the right to give you an idea of what the FX does.

You can click-and-drag the FX onto your media clips and you can also apply multiple FX on top of each other onto a single clip. Once in place the presets can be animated over time: [ 20 ] www. This window will access many backdrop FX, color gradients, checkerboards, and some very powerful text and pro type titler generators.

Dragging the selected preset onto the timeline will allow you to change the properties to suit your project as well as animate the generated media for truly stunning effects.

Sony vegas pro 11 manual pdf english free

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A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens.

The earliest camcorders were tape-based, recording analog signals onto videotape cassettes. Indigital recording became the norm, with tape replaced by storage media such as mini-HD, microDVD, internal sony vegas pro 11 manual pdf english free memory and SD cards.

More recent devices capable of recording video are camera перейти на источник and digital cameras primarily intended for still pictures, whereas dedicated camcorders are often equipped with more functions and interfaces than more common cameras, such as an internal optical zoom sony vegas pro 11 manual pdf english free that is able to operate silently with no throttled speed, whereas cameras with protracting zoom lenses commonly throttle operation speed during video recording to minimize acoustic disturbance.

Additionally, dedicated sony vegas pro 11 manual pdf english free are able to operate solely on external power with no battery inserted. Video cameras originally designed for television broadcast were large and heavy, mounted on special pedestals and wired to remote recorders in separate rooms. As technology improved, out-of-studio video recording was possible with compact video cameras and portable video recorders ; a detachable recording unit could be carried to a shooting location.

Although the camera itself was compact, the need for a separate recorder made on-location shooting a two-person job. Portable recorders meant that recorded video footage could be aired on the early-evening news, since it was no longer necessary to develop film. InSony released the first camcorder, the Betacam system, for professional use. The Betacam used the same cassette format 0. It became standard equipment for broadcast news. These shoulder-mount camcorders were used by videophilesindustrial videographers and college TV studios.

Digital technology emerged with the Sony D1a device which recorded uncompressed data and required a large amount of bandwidth for its time. In Ampex introduced DCTthe first digital video format with data compression using the discrete cosine transform algorithm present in most commercial digital video formats.

In Sony, JVC, Panasonic and other video-camera manufacturers launched DVwhich became a de facto standard for home video production, independent filmmaking and citizen journalism. That year, Ikegami introduced Sony vegas pro 11 manual pdf english free the first tapeless video recording system. Camcorders using DVD media were popular at the turn of the 21st century due to the convenience of being able to drop a disc into the family DVD player ; however, DVD capability, due to the limitations of the format, is largely limited to consumer-level equipment targeted at people who are not likely to spend any great amount of effort video editing their video footage.

With the proliferation of file -based digital formats, the как сообщается здесь between recording media and recording format has declined; video can be recorded onto different media. With tapeless formats, recording media are storage for digital files. It is a 2D camcorder which can shoot in HD; 3D is achieved by a detachable conversion lens.

Panasonic has also released 2D camcorders with an optional 3D conversion lens. The camera also has a 3-step ND filter switch allowing greater control of how much light can enter the camera for maintaining a shallow depth of field or giving a softer appearance to motion.

In HD capture, the camcorder enables in-camera downscaling of the 4K image to HD to reduce noise inherent in the smaller sensor. This is due to there being far less demand in the market for traditional camcorders as more and more consumers prefer to record video with their 4K-capable smartphonesDSLRsand action cameras from GoProXiaomiSonyNikonand many others.

Camcorders have three major components: lens, imager and recorder. The lens gathers light, focusing it on the imager. The recorder converts the electrical signal to video, encoding it in a storable form.

The lens and imager comprise the “camera” section. The lens is the first component of the light path. Camcorder optics generally have one or more of the following controls:. In consumer units these adjustments are often automatically controlled by the camcorder, but can be adjusted manually if desired.

Professional-grade units offer user control of all major optical functions. The imager, often a CCDor a photodiode array which may be an Active Pixel Sensorconverts light into an electrical signal. The camera lens projects an image onto the imager surface, exposing the photosensitive array to light. This light exposure is converted into an electrical charge. At the end of the timed exposure, the imager converts the accumulated charge into a continuous analog voltage at sony vegas pro 11 manual pdf english free imager’s output terminals.

After the conversion is complete, the photosites reset to start the exposure of the next video frame. In many cases sony vegas pro 11 manual pdf english free photosites per pixel are actually reset globally by charging to a fixed voltage, источник discharged towards zero individually proportionally to the accumulated light, because it is simpler to manufacture the sensor that way. Most camcorders use a single imaging sensor with integrated colour filters, per pixel, to enable red, green and blue to be sensed, each on their own set of pixels.

The individual pixel filters present a significant manufacturing challenge. In this case the exact alignment of the three sensors so that the red, green and blue components of the video output are correctly aligned, is the manufacturing challenge. The recorder writes the video signal onto a recording medium, such as magnetic videobatteries.

Since the record function involves many signal-processing steps, some distortion and noise historically appeared on the stored video; playback of the stored signal did not have the exact characteristics and detail as a live video feed. All camcorders have a recorder-controlling section, allowing the user to switch the recorder into playback mode for reviewing recorded footage, and an image-control section controlling exposure, focus and color balance.

The image recorded need not be limited to what appeared in the sony vegas pro 11 manual pdf english free. For documenting events as in law enforcementthe field of view overlays the time and date of the recording along the top and bottom of the image. The police car or constable badge number to which the recorder was given, the car’s speed at http://replace.me/7480.txt time of recording, compass direction and geographical coordinates may also be seen.

Dedicated camcorders are usually equipped with optical image stabilizationoptical zoomstereo microphone, and touch screen. Additional possible features include a viewfinder usually digitala pressure-sensitive knob for zooming at a controllable speed, LED lamp for illuminating in darkness — possibly with an option to adjust automatically, night vision which may be assisted by an infrared lampstill photography, the ability to capture still photos while filming — usually at a higher resolution than the video, the ability to lock the OIS on far subjects while zoomed in named “OIS Lock” by Panasonicthe ability to buffer footage before pressing the “record” button to avoid missing moments without having to be constantly recording named “PRE-REC” by Panasonicthe ability to keep the lens cover open for few minutes into stand-by mode for rapid restarting, internal storage for recording when the inserted memory card’s space is exhausted, autofocus able to track objects, and optional visual effects during video recording and playback.

The former allows measuring the exact продолжить чтение undistorted recording time of scenes even if intermittently paused, and the latter may encompass aperture, frames’ exposure duration, exposure value, and photosensitivity. The image sensor may have a higher resolution than the recorded video, allowing for lossless digital zoom by cropping the area read out from the image sensor.

The video player may allow for navigation between individual frames and extraction of still frames from footage to standalone pictures. Camcorders are often classified by their storage device ; VHSVHS-CBetamaxVideo8 are examples of late 20th century videotape -based camcorders which record video in analog form. Digital video camcorder formats include Digital8MiniDVDVDhard перейти на страницу drivedirect to disk recording and solid-state, semiconductor flash memory.

While all these formats record video in digital form, Digital8, MiniDV, DVD and hard-disk drives [13] have no longer been manufactured in consumer camcorders since In the earliest analog camcorders the imaging device is vacuum-tube technology, in which the charge of a light-sensitive target was directly proportional to the amount of light striking it; the Vidicon is an example of such an imaging tube. Both are analog detectors, using photodiodes to pass a current proportional to the light striking them.

The current is then digitised before being electronically scanned and fed to the imager’s output. The main difference between the two devices is how the scanning is done. In the CCD the diodes are sampled simultaneously, and the scan passes the digitised data from one register to the next. In CMOS devices, the diodes are sampled directly by the scanning logic. Digital video storage retains higher-quality video than analog storage, especially on the prosumer and strictly consumer levels.

Digital video does not experience colour bleedingjitter, or avatar games pc free. Unlike analog formats, digital formats do not experience generation loss during dubbing ; however, they are sony vegas pro 11 manual pdf english free prone to complete loss. A digital recording is more vulnerable to wrinkles or stretches in the tape which could erase data, but tracking and error-correction code on the tape compensates for most defects.

On analog media, similar damage registers as “noise” in sony vegas pro 11 manual pdf english free video, leaving a deteriorated but watchable video. An analog recording may be “usable” after its storage media deteriorates http://replace.me/10452.txt, but [14] slight media degradation in digital sony vegas pro 11 manual pdf english free may trigger an “all or nothing” failure; the digital recording will be unplayable without extensive restoration.

Codecs storing each frame individually, easing frame-specific scene editing, are common in professional use. The transfer is done in real timeso the transfer colormania windows 10 a minute tape requires one hour to transfer and about 13GB of disk space for the raw footage plus space for rendered files and other media. A tapeless camcorder is a camcorder that does not use video sony vegas pro 11 manual pdf english free for the digital recording of video productions as 20th century ones did.

Tapeless camcorders record video as digital computer files onto data storage devices such as optical discshard disk drives and solid-state flash memory cards.

Inexpensive pocket video cameras use flash memory cardswhile some more expensive camcorders use solid-state drives or SSD; similar flash technology is used on semi-pro and high-end professional video cameras for ultrafast transfer of high-definition television HDTV content. They are normally capable of still-image capture to JPEG format additionally.

Consumer-grade tapeless camcorders include a USB port to transfer video onto a computer. Since sony vegas pro 11 manual pdf english free consumer market favors ease of use, portability and price, most consumer-grade camcorders emphasize handling and automation over audio and video performance.

Most devices with camcorder capability are camera phones or compact digital camerasin which video is a secondary capability. Some pocket cameras, mobile phones and camcorders are shock- dust- and waterproof. The consumer camcorder was generally still very expensive throughout the early to mid s but prices compared to the s had halved for an entry level model and fell even further at the turn of the millennium placing them in easier reach of basic income consumers with the addition of available and more sony vegas pro 11 manual pdf english free to obtain credit to spread payments.

This market has followed an evolutionary path driven by miniaturization and cost reduction enabled by progress in design and manufacture.

Miniaturization reduces the imager’s ability to gather light; designers have balanced improvements in sensor sensitivity with size reduction, shrinking the camera imager and optics while maintaining relatively noise-free video in daylight.

Indoor or dim-light shooting is generally noisy, and in such conditions artificial lighting is recommended. Mechanical controls cannot shrink below a перейти на источник size, and manual camera operation has given way to camera-controlled automation for every shooting parameter including focus, aperture, shutter speed and color balance. The few models with manual override are menu-driven. Outputs include USB 2.

The high end of the consumer market emphasizes user control and advanced shooting modes. More-expensive consumer driver sd card windows 10 offer manual exposure control, HDMI output and external audio input, progressive-scan frame rates 24fps, 25fps, 30fps and higher-quality lenses than basic models.

Field tests have shown that most consumer camcorders regardless of price produce noisy video in low light. Before the 21st century, video editing required two recorders and a desktop video workstation to control them.

A typical home personal computer can hold several hours of standard-definition video, and is fast enough to edit footage without additional upgrades. Most consumer camcorders are sold with basic video editing softwareso users can create their own DVDs or share edited footage online.

Sincenearly all camcorders sold are digital. None of the consumer-class camcorders announced at the International Consumer Electronics Show recorded on tape. Video-capture capability is not confined to camcorders. Cellphonesdigital sony vegas pro 11 manual pdf english free reflex and compact digicamslaptops and personal media players offer video-capture capability, but most multipurpose devices offer less video-capture functionality than an equivalent camcorder.

Most lack manual adjustments, audio input, autofocus and zoom. Few capture in standard TV-video formats p60, p60, i30recording in either non-TV resolutions x, x or slower frame rates 15 or 30 fps.

A multipurpose device used as a camcorder offers inferior handling, audio and video performance, which limits its utility for extended or adverse shooting situations.